North Hollywood Adult Beginning Ballet Align 1 Starting Wed Oct 5 to Nov 9 @ 6:30 PM with Jahna
Align Ballet Method course #1. The original adult beginner course that has trained thousands of students since 2011. Many students have gone on to dance en pointe and make ballet training part of their lifestyle. For total adult beginners or those who desire a gentle return to ballet. Align 1 covers all aspects of classical training. Exercises. Terminology. Body Placement. Positions. Musicality. Similar to the training at great ballet company schools but streamlined for adult beginners. Our process is intuitve and easy to follow. At the end of the 6 classes students will have gained the skill to complete a basic ballet barre and simple work in center. Appropriate for all ages and body types. Alignment. 6 classes. 1 hour per week. Same location, instructor, day, time, and fellow students. A simple process. Open to ALL! 1 make up class per series. Read about ALIGN featured in The Los Angeles Times.
Born in Tucson AZ where she trained with Ballet Tucson. After attending summer programs at Pacific Northwest Ballet, American Ballet Theater (New York), and The School of American Ballet, Jahna returned to Seattle to train full time in the PNB school’s Professional Division, and joined the company in 2012. In 2015 Jahna joined the San Francisco Ballet and was subsequently promoted to soloist in 2017. She has danced principal roles in “Rubies” by George Balanchine, “Hedda Gabler” in “Ibsen’s House” by Val Caniparoli, “New Suite” and “Vertiginous Thrill of Exactitude” by William Forsythe, “Chamber Symphony” by Alexei Ratmansky, among others. Created principal roles by choreographers Alonzo King, and Myles Thatcher. Created featured roles by Twyla Tharp, Justin Peck, Edwaard Liang, Annabelle Lopez-Ochoa, among others. Did works by Jiri Kylian, Christopher Wheeldon, Mark Morris, Nacho Duato, Crystal Pite, among others. She has not only trained in classical ballet, but also tap, jazz, Fosse, and modern, Alexander Technique, and acting.